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6 If the Mountain Won’t Come …: Drawing the Other to Japan. 3 On a Clear Day You Can See Forever: Mt. Chapter 7 The Mountain That Needs No Interpreter: Mt. 5 Coxinga’s Pate/Chinese Bodies/Tatar Hair. Chapter 6 The Birth of the Hairy Barbarian: Ethnic Slur as Cultural Marker. 11 “‘Festival Chinamen’ Are More Convincing ‘Chinamen’”. 6 A Documentary Painting Is Not a Sketch. 5 The Internal Structure of an “Alien Parade”. 2 Watching the Watchers: Intersecting Gazes in Procession and Parade. Chapter 5 Parades of Difference/Parades of Power. 5 Performative Possibilities in the Age of Encounter. 4 The Invasive Other: Fear of Foreigners and the Changing Iconographic Field.

3 Alter Others: Koreans, Okinawans, and Chinese in the Japanese Text. 1 Implicit Others and Manifest Men of Inde. Chapter 4 Indianizing Iberia/Performing Portugal: Responses to the Iberian Irruption. 4 Toward a Visual Ethnography of a Myriad Lands. 3 The Encyclopedic Vision: Articulate Selves and Typed Others. 2 Brave New World: The Panopticon of Peoples in the Myriad Realms. Chapter 3 Imagining and Imaging “Anthropos”. 7 Hayashi Shihei and the “Three Countries”. 6 Terajima Ryōan and the Wakan sansai zue. Chapter 2 Mapping the Margins: The Ragged Edges of State and Nation. Introduction Between Engagement and Imagination.

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